Oiseaux exotiques (1956)
Oiseaux exotiques (1956) a song by Olivier Messiaen on
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Waverley, Op. 1, H. 26
by
Hector Berlioz
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Images, L. 122: No. 1, Gigues
by
Claude Debussy
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La valse, M. 72 (Version for Orchestra)
by
Maurice Ravel
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Le Sacre du printemps: Première Partie. L'adoration de la terre. Introduction
by
Игорь Фёдорович Стравинский
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Chamber Symphony No. 2, Op. 38: I. Adagio
by
Arnold Schönberg
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The Miraculous Mandarin, Op. 19, Sz. 73: I. Beginning
by
Bartók Béla
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Sinfonietta, JW VI/18: I. Allegretto
by
Leoš Janáček
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Symphony No. 2 "Le double": I. Animato, ma misterioso
by
Henri Dutilleux
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Symphony No. 4: I. Prelude
by
Charles Ives
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Réveil des oiseaux (1953)
by
Olivier Messiaen
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Les Francs - Juges, Op. 3, H. 23
by
Hector Berlioz
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Images, L. 122: No. 2a, Ibéria. Par les rues et par les chemins
by
Claude Debussy
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Valses nobles et sentimentales, M. 61 (Version for Orchestra): I. Modéré
by
Maurice Ravel
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Le Sacre du printemps: Première Partie. L'adoration de la terre. Les Augures printaniers (Dances des adolescentes)
by
Игорь Фёдорович Стравинский
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Chamber Symphony No. 2, Op. 38: II. Con fuoco
by
Arnold Schönberg
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The Miraculous Mandarin, Op. 19, Sz. 73: II. First Seduction Game
by
Bartók Béla
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Sinfonietta, JW VI/18: II. Andante
by
Leoš Janáček
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Symphony No. 2 "Le double": II. Andantino sostenuto
by
Henri Dutilleux
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Symphony No. 4: II. Comedy
by
Charles Ives
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Oiseaux exotiques (1956)
by
Olivier Messiaen
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Le Roi Lear, Op. 4, H. 53
by
Hector Berlioz
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Images, L. 122: No. 2b, Ibéria. Les parfums de la nuit
by
Claude Debussy
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Valses nobles et sentimentales, M. 61 (Version for Orchestra): II. Assez lent
by
Maurice Ravel
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Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeu du rapt
by
Игорь Фёдорович Стравинский
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6 Pieces for Large Orchestra, Op. 6: No. 3, Zart bewegt
by
Anton Webern
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The Miraculous Mandarin, Op. 19, Sz. 73: III. Second Seduction Game
by
Bartók Béla
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Sinfonietta, JW VI/18: III. Moderato
by
Leoš Janáček
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Symphony No. 2 "Le double": III. Allegro fuocoso - Calmato
by
Henri Dutilleux
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Symphony No. 4: III. Fugue
by
Charles Ives
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Chronochromie (1960): I. Introduction
by
Olivier Messiaen
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Intrata Di Rob - Roy Macgregor, H. 54
by
Hector Berlioz
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Images, L. 122: No. 2c, Ibéria. Le matin d'un jour de fête
by
Claude Debussy
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Valses nobles et sentimentales, M. 61 (Version for Orchestra): III. Modéré
by
Maurice Ravel
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Le Sacre du printemps: Première Partie. L'adoration de la terre. Rondes pinrtanières
by
Игорь Фёдорович Стравинский
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6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 1, Pour invoquer Pan, dieu du vent d'été
by
Claude Debussy
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The Miraculous Mandarin, Op. 19, Sz. 73: IV. Third Seduction Game
by
Bartók Béla
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Sinfonietta, JW VI/18: IV. Allegretto
by
Leoš Janáček
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Métaboles: I. Incantatoire
by
Henri Dutilleux
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Symphony No. 4: IV. Finale
by
Charles Ives
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Chronochromie (1960): II. Strophe I
by
Olivier Messiaen
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Le carnaval romain, Op. 9, H. 95
by
Hector Berlioz
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Images, L. 122: No. 3, Rondes de printemps
by
Claude Debussy
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Valses nobles et sentimentales, M. 61 (Version for Orchestra): IV. Assez animé
by
Maurice Ravel
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Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeux des cités rivales
by
Игорь Фёдорович Стравинский
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6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 3, Pour que la nuit soit propice
by
Claude Debussy
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The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the Girl
by
Bartók Béla
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Sinfonietta, JW VI/18: V. Andante con moto
by
Leoš Janáček
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Métaboles: II. Linéaire
by
Henri Dutilleux
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Orchestral Set No. 1 "3 Places in New England": I. The St. Gaudens in Boston Common
by
Charles Ives
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Chronochromie (1960): III. Antistrophe I
by
Olivier Messiaen
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Le Corsaire, Op. 21, H. 101b
by
Hector Berlioz
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Danse sacrée et danse profane, L. 103: I. Danse sacrée
by
Claude Debussy
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Valses nobles et sentimentales, M. 61 (Version for Orchestra): V. Presque lent
by
Maurice Ravel
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Le Sacre du printemps: Première Partie. L'adoration de la terre. Cortège du Sage
by
Игорь Фёдорович Стравинский
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6 Pieces for Large Orchestra, Op. 6: No. 5, Sehr langsam
by
Anton Webern
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The Miraculous Mandarin, Op. 19, Sz. 73: VI. The Chase
by
Bartók Béla
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Šumařovo dítě, JW VI/14
by
Leoš Janáček
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Métaboles: III. Obsessionnel
by
Henri Dutilleux
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Orchestral Set No. 1 "3 Places in New England": II. Putnam's Camp, Redding, Connecticut
by
Charles Ives
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Chronochromie (1960): IV. Strophe II
by
Olivier Messiaen
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Danse sacrée et danse profane, L. 103: II. Danse profane
by
Claude Debussy
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Valses nobles et sentimentales, M. 61 (Version for Orchestra): VI. Vif
by
Maurice Ravel
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Le Sacre du printemps: Première Partie. L'adoration de la terre. Le Sage
by
Игорь Фёдорович Стравинский
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6 Pieces for Large Orchestra, Op. 6: No. 6, Zart bewegt
by
Anton Webern
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2 Pictures, Op. 10, Sz. 46: No. 1, In Full Flower
by
Bartók Béla
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Métaboles: IV. Torpide
by
Henri Dutilleux
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Orchestral Set No. 1 "3 Places in New England": III. The Housatonic at Stockbridge
by
Charles Ives
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Chronochromie (1960): V. Antistrophe II
by
Olivier Messiaen
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La mer, L. 109: I. De l'aube à midi sur la mer
by
Claude Debussy
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Valses nobles et sentimentales, M. 61 (Version for Orchestra): VII. Moins vif
by
Maurice Ravel
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Le Sacre du printemps: Première Partie. L'adoration de la terre. Danse de la terre
by
Игорь Фёдорович Стравинский
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6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 4, Pour la danseuse aux crotales
by
Claude Debussy
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2 Pictures, Op. 10, Sz. 46: No. 2, Village Dance
by
Bartók Béla
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Métaboles: V. Flamboyant
by
Henri Dutilleux
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The Unanswered Question
by
Charles Ives
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Chronochromie (1960): VI. Épôde
by
Olivier Messiaen
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La mer, L. 109: II. Jeux de vagues
by
Claude Debussy
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Valses nobles et sentimentales, M. 61 (Version for Orchestra): VIII. Épilogue
by
Maurice Ravel
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Le Sacre du printemps: Seconde Partie. Le sacrifice. Introduction
by
Игорь Фёдорович Стравинский
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6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 2, Pour un tombeau sans nom
by
Claude Debussy
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Viola Concerto, Sz. 120: I. Moderato
by
Bartók Béla
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Chronochromie (1960): VII. Coda
by
Olivier Messiaen
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La mer, L. 109: III. Dialogue du vent et de la mer
by
Claude Debussy
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Miroirs, M. 43: No. 4, Alborada del gracioso (Version for Orchestra)
by
Maurice Ravel
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Le Sacre du printemps: Seconde Partie. Le sacrifice. Cercles mystérieux des adolescentes
by
Игорь Фёдорович Стравинский
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6 Pieces for Large Orchestra, Op. 6: No. 1, Etwas bewegte Achtel
by
Anton Webern
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Viola Concerto, Sz. 120: II. Adagio religioso
by
Bartók Béla
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Boléro, M. 81
by
Maurice Ravel
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Le Sacre du printemps: Seconde Partie. Le sacrifice. Glorification de l'Élue
by
Игорь Фёдорович Стравинский
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6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 5, Pour l'égyptienne
by
Claude Debussy
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Viola Concerto, Sz. 120: III. Allegro vivace
by
Bartók Béla
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Le Sacre du printemps: Seconde Partie. Le sacrifice. Évocation des ancétres
by
Игорь Фёдорович Стравинский
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6 Pieces for Large Orchestra, Op. 6: No. 4, Langsam, Marcia funebre
by
Anton Webern
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Le Sacre du printemps: Seconde Partie. Le sacrifice. Action rituelle des ancétres
by
Игорь Фёдорович Стравинский
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6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 6, Pour remercier la pluie au matin
by
Claude Debussy
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Le Sacre du printemps: Seconde Partie. Le sacrifice. Danse sacrale (L'Élue)
by
Игорь Фёдорович Стравинский
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6 Pieces for Large Orchestra, Op. 6: No. 2, Bewegt
by
Anton Webern
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Petrushka, K012: I. The Shrovetide Fair
by
Игорь Фёдорович Стравинский
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3 Orchesterstücke, Op. 6: No. 1, Präludium
by
Alban Berg
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Petrushka, K012: II. Petrushka's Cell
by
Игорь Фёдорович Стравинский
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3 Orchesterstücke, Op. 6: No. 2, Reigen
by
Alban Berg
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Petrushka, K012: III. The Moor's Room
by
Игорь Фёдорович Стравинский
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3 Orchesterstücke, Op. 6: No. 3, Marsch
by
Alban Berg
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Petrushka, K012: IV. The Shrovetide Fair
by
Игорь Фёдорович Стравинский
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