Oiseaux exotiques (1956)

Name: Oiseaux exotiques (1956)
Description: Oiseaux exotiques (1956) a song by Olivier Messiaen on Muzzly - Listen Music Smarter

Oiseaux exotiques (1956) a song by Olivier Messiaen on Muzzly - Listen Music Smarter

Waverley, Op. 1, H. 26 by Hector Berlioz ,
Images, L. 122: No. 1, Gigues by Claude Debussy ,
La valse, M. 72 (Version for Orchestra) by Maurice Ravel ,
Le Sacre du printemps: Première Partie. L'adoration de la terre. Introduction by Игорь Фёдорович Стравинский ,
Chamber Symphony No. 2, Op. 38: I. Adagio by Arnold Schönberg ,
The Miraculous Mandarin, Op. 19, Sz. 73: I. Beginning by Bartók Béla ,
Sinfonietta, JW VI/18: I. Allegretto by Leoš Janáček ,
Symphony No. 2 "Le double": I. Animato, ma misterioso by Henri Dutilleux ,
Symphony No. 4: I. Prelude by Charles Ives ,
Réveil des oiseaux (1953) by Olivier Messiaen ,
Les Francs - Juges, Op. 3, H. 23 by Hector Berlioz ,
Images, L. 122: No. 2a, Ibéria. Par les rues et par les chemins by Claude Debussy ,
Valses nobles et sentimentales, M. 61 (Version for Orchestra): I. Modéré by Maurice Ravel ,
Le Sacre du printemps: Première Partie. L'adoration de la terre. Les Augures printaniers (Dances des adolescentes) by Игорь Фёдорович Стравинский ,
Chamber Symphony No. 2, Op. 38: II. Con fuoco by Arnold Schönberg ,
The Miraculous Mandarin, Op. 19, Sz. 73: II. First Seduction Game by Bartók Béla ,
Sinfonietta, JW VI/18: II. Andante by Leoš Janáček ,
Symphony No. 2 "Le double": II. Andantino sostenuto by Henri Dutilleux ,
Symphony No. 4: II. Comedy by Charles Ives ,
Oiseaux exotiques (1956) by Olivier Messiaen ,
Le Roi Lear, Op. 4, H. 53 by Hector Berlioz ,
Images, L. 122: No. 2b, Ibéria. Les parfums de la nuit by Claude Debussy ,
Valses nobles et sentimentales, M. 61 (Version for Orchestra): II. Assez lent by Maurice Ravel ,
Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeu du rapt by Игорь Фёдорович Стравинский ,
6 Pieces for Large Orchestra, Op. 6: No. 3, Zart bewegt by Anton Webern ,
The Miraculous Mandarin, Op. 19, Sz. 73: III. Second Seduction Game by Bartók Béla ,
Sinfonietta, JW VI/18: III. Moderato by Leoš Janáček ,
Symphony No. 2 "Le double": III. Allegro fuocoso - Calmato by Henri Dutilleux ,
Symphony No. 4: III. Fugue by Charles Ives ,
Chronochromie (1960): I. Introduction by Olivier Messiaen ,
Intrata Di Rob - Roy Macgregor, H. 54 by Hector Berlioz ,
Images, L. 122: No. 2c, Ibéria. Le matin d'un jour de fête by Claude Debussy ,
Valses nobles et sentimentales, M. 61 (Version for Orchestra): III. Modéré by Maurice Ravel ,
Le Sacre du printemps: Première Partie. L'adoration de la terre. Rondes pinrtanières by Игорь Фёдорович Стравинский ,
6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 1, Pour invoquer Pan, dieu du vent d'été by Claude Debussy ,
The Miraculous Mandarin, Op. 19, Sz. 73: IV. Third Seduction Game by Bartók Béla ,
Sinfonietta, JW VI/18: IV. Allegretto by Leoš Janáček ,
Métaboles: I. Incantatoire by Henri Dutilleux ,
Symphony No. 4: IV. Finale by Charles Ives ,
Chronochromie (1960): II. Strophe I by Olivier Messiaen ,
Le carnaval romain, Op. 9, H. 95 by Hector Berlioz ,
Images, L. 122: No. 3, Rondes de printemps by Claude Debussy ,
Valses nobles et sentimentales, M. 61 (Version for Orchestra): IV. Assez animé by Maurice Ravel ,
Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeux des cités rivales by Игорь Фёдорович Стравинский ,
6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 3, Pour que la nuit soit propice by Claude Debussy ,
The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the Girl by Bartók Béla ,
Sinfonietta, JW VI/18: V. Andante con moto by Leoš Janáček ,
Métaboles: II. Linéaire by Henri Dutilleux ,
Orchestral Set No. 1 "3 Places in New England": I. The St. Gaudens in Boston Common by Charles Ives ,
Chronochromie (1960): III. Antistrophe I by Olivier Messiaen ,
Le Corsaire, Op. 21, H. 101b by Hector Berlioz ,
Danse sacrée et danse profane, L. 103: I. Danse sacrée by Claude Debussy ,
Valses nobles et sentimentales, M. 61 (Version for Orchestra): V. Presque lent by Maurice Ravel ,
Le Sacre du printemps: Première Partie. L'adoration de la terre. Cortège du Sage by Игорь Фёдорович Стравинский ,
6 Pieces for Large Orchestra, Op. 6: No. 5, Sehr langsam by Anton Webern ,
The Miraculous Mandarin, Op. 19, Sz. 73: VI. The Chase by Bartók Béla ,
Šumařovo dítě, JW VI/14 by Leoš Janáček ,
Métaboles: III. Obsessionnel by Henri Dutilleux ,
Orchestral Set No. 1 "3 Places in New England": II. Putnam's Camp, Redding, Connecticut by Charles Ives ,
Chronochromie (1960): IV. Strophe II by Olivier Messiaen ,
Danse sacrée et danse profane, L. 103: II. Danse profane by Claude Debussy ,
Valses nobles et sentimentales, M. 61 (Version for Orchestra): VI. Vif by Maurice Ravel ,
Le Sacre du printemps: Première Partie. L'adoration de la terre. Le Sage by Игорь Фёдорович Стравинский ,
6 Pieces for Large Orchestra, Op. 6: No. 6, Zart bewegt by Anton Webern ,
2 Pictures, Op. 10, Sz. 46: No. 1, In Full Flower by Bartók Béla ,
Métaboles: IV. Torpide by Henri Dutilleux ,
Orchestral Set No. 1 "3 Places in New England": III. The Housatonic at Stockbridge by Charles Ives ,
Chronochromie (1960): V. Antistrophe II by Olivier Messiaen ,
La mer, L. 109: I. De l'aube à midi sur la mer by Claude Debussy ,
Valses nobles et sentimentales, M. 61 (Version for Orchestra): VII. Moins vif by Maurice Ravel ,
Le Sacre du printemps: Première Partie. L'adoration de la terre. Danse de la terre by Игорь Фёдорович Стравинский ,
6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 4, Pour la danseuse aux crotales by Claude Debussy ,
2 Pictures, Op. 10, Sz. 46: No. 2, Village Dance by Bartók Béla ,
Métaboles: V. Flamboyant by Henri Dutilleux ,
The Unanswered Question by Charles Ives ,
Chronochromie (1960): VI. Épôde by Olivier Messiaen ,
La mer, L. 109: II. Jeux de vagues by Claude Debussy ,
Valses nobles et sentimentales, M. 61 (Version for Orchestra): VIII. Épilogue by Maurice Ravel ,
Le Sacre du printemps: Seconde Partie. Le sacrifice. Introduction by Игорь Фёдорович Стравинский ,
6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 2, Pour un tombeau sans nom by Claude Debussy ,
Viola Concerto, Sz. 120: I. Moderato by Bartók Béla ,
Chronochromie (1960): VII. Coda by Olivier Messiaen ,
La mer, L. 109: III. Dialogue du vent et de la mer by Claude Debussy ,
Miroirs, M. 43: No. 4, Alborada del gracioso (Version for Orchestra) by Maurice Ravel ,
Le Sacre du printemps: Seconde Partie. Le sacrifice. Cercles mystérieux des adolescentes by Игорь Фёдорович Стравинский ,
6 Pieces for Large Orchestra, Op. 6: No. 1, Etwas bewegte Achtel by Anton Webern ,
Viola Concerto, Sz. 120: II. Adagio religioso by Bartók Béla ,
Boléro, M. 81 by Maurice Ravel ,
Le Sacre du printemps: Seconde Partie. Le sacrifice. Glorification de l'Élue by Игорь Фёдорович Стравинский ,
6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 5, Pour l'égyptienne by Claude Debussy ,
Viola Concerto, Sz. 120: III. Allegro vivace by Bartók Béla ,
Le Sacre du printemps: Seconde Partie. Le sacrifice. Évocation des ancétres by Игорь Фёдорович Стравинский ,
6 Pieces for Large Orchestra, Op. 6: No. 4, Langsam, Marcia funebre by Anton Webern ,
Le Sacre du printemps: Seconde Partie. Le sacrifice. Action rituelle des ancétres by Игорь Фёдорович Стравинский ,
6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 6, Pour remercier la pluie au matin by Claude Debussy ,
Le Sacre du printemps: Seconde Partie. Le sacrifice. Danse sacrale (L'Élue) by Игорь Фёдорович Стравинский ,
6 Pieces for Large Orchestra, Op. 6: No. 2, Bewegt by Anton Webern ,
Petrushka, K012: I. The Shrovetide Fair by Игорь Фёдорович Стравинский ,
3 Orchesterstücke, Op. 6: No. 1, Präludium by Alban Berg ,
Petrushka, K012: II. Petrushka's Cell by Игорь Фёдорович Стравинский ,
3 Orchesterstücke, Op. 6: No. 2, Reigen by Alban Berg ,
Petrushka, K012: III. The Moor's Room by Игорь Фёдорович Стравинский ,
3 Orchesterstücke, Op. 6: No. 3, Marsch by Alban Berg ,
Petrushka, K012: IV. The Shrovetide Fair by Игорь Фёдорович Стравинский ,