Richard Wistreich
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The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 -
Richard Wistreich
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The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 -
Richard Wistreich
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The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Observations on the works: Before we enter on the examinations - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Observations on the works: Music is founded on established rules - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Observations on the works: The rules are derived from experience - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Observations on the works: The former of these - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Observations on the works: Such passages - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Observations on the works: Hence too we may conclude - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Observations on the works: As tste implies a natural sensibility - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Observations on the works: Art is here not only useless, but dangerous - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: German and italian styles, Handel's preference for the italian: What gives me the fuller assurance - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: German and italian styles, Handel's preference for the italian: The Taste in Music - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymen - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: German and italian styles, Handel's preference for the italian: When we consider two kinds of Music - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated part - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: German and italian styles, Handel's preference for the italian: This appeares from particular instances - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Italian music since Palestrina: The Old Music, such as it was at the time of Palestrina - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Italian music since Palestrina: It happened, as it naturally must - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Italian music since Palestrina: For their instrumental parts - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Italian music since Palestrina: The one is, that they have little time for composing - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Italian music since Palestrina: Almost every composer of genius in Italy - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Italian music since Palestrina: This in some degree - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Interaction between Handel and the italians: From all that has been said - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Interaction between Handel and the italians: And as some proof of Handel's influence in Italy - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Value of harmony and melody: But in order to make a right judgement - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Value of harmony and melody: The concertos of Tartini - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Value of harmony and melody: Rousseau has developed this matter wonderfully - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Value of harmony and melody: His uncommon strenght in the instrumental way - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Value of harmony and melody: It may also be added - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Value of harmony and melody: Yet in many others all parts are so nicely adjusted - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Value of harmony and melody: The best Painter would be blamed - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Uneven success in Handel: To speak the plain truth - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Uneven success in Handel: A gentleman whom he had desired - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Uneven success in Handel "Un disprezzato affetto" - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Tartini as example of vocal writing for instruments: Here too we will see - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Tartini as example of vocal writing for instruments: After all the vocal species - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Tartini as example of vocal writing for instruments: As most difficult passages - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Importance of textual considerations in composition: And here I just may take notice - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Importance of textual considerations in composition: A too close attachment - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Importance of textual considerations in composition: The English tongue - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Importance of textual considerations in composition: If it abounds with noble images - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Exceptional nature of Handels choral music: In his Chorusses he is without a rival - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Exceptional nature of Handels choral music: It is true that in the admirable epistle - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Exceptional nature of Handels choral music: But there are many reasons - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Exceptional nature of Handels choral music: It is however no way improbable - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Effects of Handel's oratorio style, Messiah: As his Oratorios - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Effects of Handel's oratorio style, Messiah: After these vast efforts of genius - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conception - Handel: Memoirs 5 -
Richard Wistreich
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Memoirs: Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal Music - Handel: Memoirs 5 -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Overture Part 1: Andante – Allegro - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Overture Part 2: Minuetto - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 1, Chorus: O guardian of that sacred land - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 2, Recitative: 'Tis thine alone (Spirit of Avon) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 3, Air: Come then, O Fancy, bend thy bow (Spirit of Avon) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 4, Recitative: At Shakespeare's happy birth (Fancy) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 5, Air: And now is come the fated hour (Fancy) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 6, Chorus: Be Shakespeare born! - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 7, Recitative: So spake the god (Spirit of Avon) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 8, Air: There in old Arden's inmost shade (Spirit of Avon) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 9, Recitative: And as before his purged eyes (Spirit of Avon) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 10, Air: Thy hand his youthful footsteps led (Spirit of Avon) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 11, Air: Some drive the clam'rous owl away (Fancy) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 1 No 12, Chorus: Some drive the clam'rous owl away - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 1, Recitative: But oh! what sudden gloom (Fearful observer) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 2, Chorus: By the pale light of yon blue fire - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 3, Recitative: See, through the glimmering darkness of the cave (Fearful observer) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 4, Chorus: What howling whirlwinds rend the sky! - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 5, Recitative: For whom, at yonder livid flame (Fearful observer) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 6, Air: Whither ye beldames do ye roam? (Fearful observer) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 7, Air with chorus: The tempests cease (Spirit of Avon and Chorus) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 8, Recitative: No more the elves, with printless pace (Spirit of Avon) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 9, Air: Ariel, who sees thee now? (Spirit of Avon) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 10, Recitative: No more shalt thou upon the sharp north run (Fancy) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 11, Duet: For who can wield like Shakespeare's skilful hand? (Fancy and Spirit of Avon) - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare: Part 2 No 12, Chorus: Yet, Fancy, once again on Britain smile - Lyric Ode on the Fairies, Aerial Beings and Withces of Shakespeare -
Richard Wistreich
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From harmony, from heav'nly harmony: 1. Symphony - Odes to Saint Cecilia -
Richard Wistreich
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From harmony, from heav'nly harmony: 2. From harmony, from heav'nly harmony - Odes to Saint Cecilia -
Richard Wistreich
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From harmony, from heav'nly harmony: 3. When Nature underneath a heap - Odes to Saint Cecilia -
Richard Wistreich
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From harmony, from heav'nly harmony: 4. What passion cannot Musick raise and quell! - Odes to Saint Cecilia -
Richard Wistreich
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From harmony, from heav'nly harmony: 5. The trumpet's loud clangor - Odes to Saint Cecilia -
Richard Wistreich
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From harmony, from heav'nly harmony: 6. The soft complaining flute - Odes to Saint Cecilia -
Richard Wistreich
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From harmony, from heav'nly harmony: 7. Sharp violins proclaim - Odes to Saint Cecilia -
Richard Wistreich
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From harmony, from heav'nly harmony: 8. But oh! What art can teach - Odes to Saint Cecilia -
Richard Wistreich
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From harmony, from heav'nly harmony: 9. Orpheus cou'd lead the savage race - Odes to Saint Cecilia -
Richard Wistreich
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From harmony, from heav'nly harmony: 10. As from the pow'r of sacred lays - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 1. Symphony - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 2. The glorious day is come, that will for ever be - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 3. The spheres, those instruments divine - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 4. Couch'd by the pleasant Heliconian spring - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 5. And the first trumpet's part - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 6. The battle done, the loud alarms do cease - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 7. Excesses of pleasure now crowd on apace - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 8. Ah Heav'n! What is't I hear? - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 9. Music! celestial Music! what can be - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 10. This that blest king and god-like prophet knew - Odes to Saint Cecilia -
Richard Wistreich
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The glorious day is come: 11. And thus by Music's pow'r - Odes to Saint Cecilia -
Richard Wistreich
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